Saturday, February 9, 2008

NON-FICTION: ON CHICKS AND ON THE BBC

Well, I have gone through many kicks over the years, history, literature, neurology, comics, psychology, astrology. And most of these come and go in my mind.


Now, I'm off religion, isn't it? DId you notice the odditiy of that last sentence, i'n' it? Well, that's a sentence structure I've learned from watching British shows, i'n' it? It's not proper English, but proper English is outdated, even in England, i'n' it? The cool thing about that phrase is that it goes with every sort of sentence, i'n' it?


Let's see... I don't know that I can specifically delineate the particular point of departure into BBC land. But it started with me trying to find something fresh at the dvd stand.

Buying dvds at the stand (as opposed to a dvd shop) is not reliable, as all Expats know. Dvd stands cater more to impulse buying and get less people bringing back bad copies. So, a lot of these stands always offer the most popular movie titles. If you ask if its a clear copy, they always say yes, but half of the time, that's a lie. Most of the time, the first editions of pirated dvds are recorded from within the theatre. So you need a reliable retailer to make sure you get a real copy (even though I have had a lot of problems with the real copies being in Russian lately)

Anyways, its much safer to buy Televsion series, I've found.

So after discovering the sociologically fascinating L Word in this manner, i periodically returned to see what other tv treasures I might randomly discover.

Thus, I discovered Sugar Rush. A british show about an adorable little lesbian chick who moves to... Brighton? A resort town in England. There she struggles to find her true lesbian path amid the confusion of the straight world and her obsession with her best friend, Sugar.

Sugar is a black chick who lives on the 'estates' which, in Britain refers to something, somehow, equivalent to our ghettoes or poorer areas. They are often referred to in British rap music.

So this sugar sleeps with all kinds of guys. The crazy thing is, is that she only sleeps with white guys. Not only do you never see her hook up with black guys, but there's no black guys on the show.

Sugar, eventually, gives the lesbian sex a try with... i forgot the main chicks name. Sugar is really possessive and even though she's grossed out by sex with a girl, she becomes jealous after seeing the main chick fall in love with a real lesbian.

While the whole coming out drama is going on, the main chicks family is falling apart. Her brother is described, throughout the whole series, as 'weird'. We don't get any insight as to how, but this is entirely sufficient for a chick show, 'i'n' it?

Her father is kind of a pussy with no chin. But he's really responsible and takes good care of the family.

The mother, in surprising counterpoint, is selfish, irresponsible, and sexually unfulfilled. So she has an affair with a hot young stud and throws the marriage into utter tragedy.

Why did I watch this whole series and mourn it's cancellation, i'n' it? Two things, British People and Chicks.

Even though, these shows are as formulaic and filled with contemporary obligatory roles and themes, it's fascinating to see them in a slightly different cast, that is, for the British market.

Also, the very unreality of this show, and the following few which I'll mention, reflects profound truths about female culture.

Let me take Mistresses as an example. Its about four woman pursuing various affairs, mostly outside their own marriages or inside someone else's.

What you see is that the makers of the program expect woman viewers to respond to constant, socially proscribed, sex.

In one way, it seems as if the traditional womans story of Finding Mr. Right has now been amended to include Fucking Mr. Right.

In another, similary way, it seems that romance novels and soap operas have been elevated a few degrees of respectability.

In Mistresses, the women rarely have sex with the people they should be having it with. There's a lawyer who has a great, attractive loving husband, but instead she's screwing her hot coworker. Then, the woman who is single and involved with a single, nice guy, gives up on having sex with him and breaks off the relationship.

The two other girls are no different. One is always contemplating her affair with her married boss, and the other is screwing the hot son of her dead married lover.

You would be right to ascribe all this to the mere love of conflict on the part of audiences, but the key is not merely that there is conflict, but in the type of conflict.

Another example is Honest, which is not exclusively a chick show, because it also caters strongly to male sexual fantasy. But, for the female main characters, there is little sexual satisfaction coming from normal relationships. The mother has to take care of and provide for the family while her criminal husband is in prison. She's a really tough, strong female role model. But, her husband's in jail and she's got so much on her mind, so how can she be in the mood?

Her two daughters aren't having much satisfaction either. One is a really sharp business minded teenager. The other is a really sexy bimbo. The sharp one has a crush on a guy, but how can he notice her with the hot sister around, i'n' it?

The bimbo sister can't enjoy sex because she can only use it as a tool to manipulate men.

The twin brothers, on on the other hand get to screw hot chicks enjoy it. The dumb one screws his Cantonese Mafia Boss employer's wife, and, i think the super hot daughter.

The smart brother definitely screws the daughter and they both enjoy it.

Now, this daughter and mother are enjoying their sex, but in both cases, it's improper, especially for the mother.

Less so for the daughter. Now here's another point about these British shows i so enjoy, i;n; it?
That is, the white British male still maintains his sexual preeminence.

The wife of the Cantonese Mafia Boss is white, but the daugther is Chinese, so, even though she's single and its okay for her to be having sex, she's a exotic oriental vixen and it is natural that she is ready to get it on with any young white guy.

On Mistresses, the South Asian-looking woman is sleeping with her unattractive boss, then strays to the female side, than tries to rebound with a good looking black guy, but then all you see is her saying "There's your cab, let yourself out."

On that show, there's another non-anglo-saxon. He looks a little arabic. He's really nice, but he's infertile! And his lawyer wife is the one screwing the tall, square jawed, green eyed Briton.

The other British show I liked was Meadowlands. And in that one there's two non-whites. A black woman and a black guy. But they don't get it on with anyone. The black guy is officially with a white chick, but then we find out that they're undercover and just pretending.

Meadowlands (called Cape Wrath in the UK, i'n' it?) was pretty cool. It was a bit of toned down take on the Twin Peaks feel, with a straightforward mystery plot.

The story was a bunch of people in the Witness Protection program get sent to this mysterious small town in the middle of a vast desert. But the residents don't know anything about where they are.

It turns out that the whole town is actually a social experiment that's being monitored by some secret group.

Anyways, back to the profound truths I've learned from chick shows. I should also include The L Word and Desperate Houswives, because I've seen all seasons of these shows too.

The modern point about woman that is being repeated over and over again is that sex, for woman, is sooo complicated, but that they must be respected fully as sexual beings every bit as men are. You have to be sensitive and deal sensitively with all the sensitive issues in woman's life. And lesbian sex is not just something you can jump into. That is, if you're a male fantasizing about it (which is absurd). On the other hand, if you're on the L Word than it is quire common for straight women to suddenly moisten at the approach of a hot lesbian.

So, it seems that modern woman's television is not so profound after all. Well, in that case, perhaps I need another excuse to keep watching... I guess I'm still just fascinated by women. I would much more eagerly welcome real stories about women. Stories that accurately reflect the way they deal with daily life and important issues in their lives.

But, in absent of that I'll stick what I've got it, i'n' it?

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